Diagram Plus guide

Can be fitted into a packet of cigarettes, Also suitable as Fuzz-box

This small amplifier was intended to be used in conjunction with an electric guitar to do some low power monitoring, mainly for practice, either via an incorporated small loudspeaker or headphones. The complete circuit, loudspeaker, batteries, input and output jacks can be encased in a small box having the dimensions of a packet of cigarettes, or it could be fitted also into a real packet of cigarettes like some ready-made units available on the market.
This design can be used in three different ways:

• Loudspeaker amplifier: when powered by a 9V alkaline battery it can deliver about 1.5W peak output power to the incorporated loudspeaker.
• Headphone amplifier or low power loudspeaker amplifier: when powered by a 3V battery (2x1.5V cells) it can drive any headphone set type at a satisfactory output power level or deliver to the incorporated loudspeaker about 60mW of output power. This configuration is useful for saving battery costs.
• Fuzz-box: when powered by a 3V battery (2x1.5V cells) and having its output connected to a guitar amplifier input the circuit will behave as a good Fuzz-box, showing an output square wave with marked rounded corners, typical of valve-circuits output when driven into saturation.

Circuit diagram:

Mini Guitar Amplifier Circuit Diagram

Parts:

R1__________22K 1/4W Resistor
C1__________10µF 25V Electrolytic Capacitor
C2__________100nF 63V Polyester or Ceramic Capacitor
C3__________220µF 25V Electrolytic Capacitor
IC1_________TDA7052 Audio power amplifier IC
J1,J2_______6.3mm Stereo Jack sockets (switched)
SPKR_______8 Ohm Loudspeaker (See Notes)
B1_________9V PP3 Battery or 3V Battery (2 x 1.5V AA, AAA Cells in series etc.)
Clip for PP3 Battery or socket for 2 x 1.5V AA or AAA Cells

Notes:

• For the sake of simplicity and compactness, this unit employs a dual bridge IC amplifier and a few other parts. For the same reason no volume or tone controls are provided as it is supposed that the controls already existing on the electric guitar will serve satisfactorily to the purpose.
• No power switch is used: the battery voltage will be applied to the circuit when the input plug will be inserted in the input jack socket J1. For this purpose be sure that the input plug is a common 1/4 inch guitar mono jack plug and J1 is a 1/4 inch stereo jack socket.
• The output jack socket J2 must be a switched stereo type. The changeover switching is arranged in such a way that, when a common headphones stereo jack plug is inserted into the socket, the loudspeaker will be disabled and the mono output signal will drive both the headsets in series, allowing full headphone reproduction. When used as a Fuzz-box output, a mono jack plug must be inserted into J2.
• If the amplifier is intended to be encased in a packet of cigarettes, standard loudspeaker diameter should be 57 or 50mm.

Technical data:

Max output power: 1.5W @ 9V supply - 8 Ohm load; 60mW @ 3V supply - 8 Ohm load
Frequency response: Flat from 20Hz to 20kHz
Total harmonic distortion @ 100mW output: 0.2%
Max input voltage @ 3V supply: 8mV RMS
Minimum input voltage for Fuzz-box operation: 18mV RMS @ 3V supply
Current consumption @ 400mW and 9V supply: 200mA
Current consumption @ 250mW and 9V supply: 150mA
Current consumption @ 60mW and 3V supply: 80mA
Quiescent current consumption: 6mA @ 9V, 4mA @ 3V supply
Fuzz-box current consumption: 3mA @ 3V supply

Copyright: www.redcircuits.com

Can be fitted into a packet of cigarettes Also suitable as Fuzz-box

This small amplifier was intended to be used in conjunction with an electric guitar to do some low power monitoring, mainly for practice, either via an incorporated small loudspeaker or headphones.

The complete circuit, loudspeaker, batteries, input and output jacks can be encased in a small box having the dimensions of a packet of cigarettes, or it could be fitted also into a real packet of cigarettes like some ready-made units available on the market.

Circuit diagram:

Mini Portable Guitar Amplifier Circuit Diagram

This design can be used in three different ways:

• Loudspeaker amplifier: when powered by a 9V alkaline battery it can deliver about 1.5W peak output power to the incorporated loudspeaker.
• Headphone amplifier or low power loudspeaker amplifier: when powered by a 3V battery (2x1.5V cells) it can drive any headphone set type at a satisfactory output power level or deliver to the incorporated loudspeaker about 60mW of output power. This configuration is useful for saving battery costs.
• Fuzz-box: when powered by a 3V battery (2x1.5V cells) and having its output connected to a guitar amplifier input the circuit will behave as a good Fuzz-box, showing an output square wave with marked rounded corners, typical of valve-circuits output when driven into saturation.

Notes:

• For the sake of simplicity and compactness, this unit employs a dual bridge IC amplifier and a few other parts. For the same reason no volume or tone controls are provided as it is supposed that the controls already existing on the electric guitar will serve satisfactorily to the purpose.
• No power switch is used: the battery voltage will be applied to the circuit when the input plug will be inserted in the input jack socket J1. For this purpose be sure that the input plug is a common 1/4 inch guitar mono jack plug and J1 is a 1/4 inch stereo jack socket.
• The output jack socket J2 must be a switched stereo type. The changeover switching is arranged in such a way that, when a common headphones stereo jack plug is inserted into the socket, the loudspeaker will be disabled and the mono output signal will drive both the headsets in series, allowing full headphone reproduction. When used as a Fuzz-box output, a mono jack plug must be inserted into J2.
• If the amplifier is intended to be encased in a packet of cigarettes, standard loudspeaker diameter should be 57 or 50mm.

Source:www.redcircuits.com

Here is the circuit diagram of a guitar preamplifier that would accept any standard guitar pickup. It is also versatile in that it has two signal outputs. A typical example of using a pick-up attached to a guitar headstock is shown in Fig. 1. The pickup device has a transducer on one end and a jack on the other end. The jack can be plugged into a preamplifier circuit and then to a power amplifier system. The pickup device captures mechanical vibrations, usually from stringed instruments such as guitar or violin, and converts them into an electrical signal, which can then be amplified by an audio amplifier. It is most often mounted on the body of the instrument, but can also be attached to the bridge, neck, pick-guard or headstock.

The first part of this preamplifier circuit shown in Fig. 2 is a single-transistor common-emitter amplifier with degenerative feedback in the emitter and a boot-strapped bias divider to secure optimal input impedance. With the component values shown here, the input impedance is above 50 kilo-ohms and the peak output voltage is about 2V RMS. Master-level-control potentiometer VR1 should be adjusted for minimal distortion. The input from guitar pickup is fed to this preamplifier at J1 terminal. The signal is buffered and processed by the op-amp circuit wired around IC TL071 (IC1). Set the gain using preset VR2. The circuit has a master and a slave control. RCA socket J2 is the master signal output socket and socket J3 is the slave.

It is much better to take the signal from J2 as the input to the power amplifier system or sound mixer. Output signals from J3 can be used to drive a standard headphone amplifier. Using potentiometer VR3, set the slave output signal level at J3. House the circuit in a metallic case. VR1 and VR3 should preferably be the types with metal enclosures. To prevent hum, ground the case and the enclosures. A well-regulated 9V DC power supply is crucial for this circuit. However, a standard 9V alkaline manganese battery can also be used to power the circuit. Switch S1 is a power on/off switch.